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Notify me when it’s in stockThis special design first-class handmade Iznik ceramic plate by Cini Evi is prepared as a prestigious VIP gift for official, political and protocol presentations.
Every Iznik ceramic piece is unique, just like a fingerprint. Even if the same product is produced again with the same design, it will not be exactly identical.
The exact same piece you are viewing now cannot be reproduced in precisely the same way.
If this piece matches your taste and need, choosing it now is recommended because each handmade ceramic item is one of a kind.
Iznik ceramics never lose their value, go out of fashion or become obsolete. They are artistic heirlooms that can be passed down from generation to generation.
The Halic motif first appeared in Iznik ceramics in the 16th century. It is connected with the Golden Horn area of Istanbul and became a distinctive decorative style.
Halic is often seen as a symbol of prosperity, abundance and good fortune. The natural beauty and strategic location of the Golden Horn made it an important trade and commercial center during the Ottoman period.
Sea and water: Since the Golden Horn is a body of water in Istanbul, Halic motifs symbolize the sea and water. Water is regarded as a source of life and a cleansing power.
Symbol of Istanbul: Halic motifs represent the historical and cultural importance of Istanbul and emphasize the city’s connection with the sea.
Decoration and aesthetics: Halic motifs add aesthetic value to Iznik ceramics and reflect the visual appeal of the ceramics and the skill of the artisans.
Overall, Halic motifs reflect the flow of water, the beauty of the sea, the symbolic value of Istanbul and the aesthetic value of Iznik ceramics.
The reed motif, often used in Iznik ceramics, is a rich symbol with several meanings that may change according to the context in which it is used.
Connection with nature: Reeds represent a natural and wild element of nature, helping the viewer feel a peaceful connection with the natural world.
Growth and development: Reeds rise from water and grow upward, so the motif can be interpreted as a symbol of hope and new beginnings.
Humility and modesty: Unlike showy flowers, reeds have a simple and elegant appearance, representing modesty and humility.
Purity and cleanliness: Reeds are often found around clean water sources, which connects the motif with purity and cleanliness.
Spirituality: In some traditions, reeds are associated with meditation and contemplation, so the motif may also represent inner peace and a spiritual search.
Timelessness: Reeds can remain present through the seasons, which gives the motif a meaning of timelessness and endurance.
The Halic motif first appeared in Iznik ceramics in the 16th century. It is connected with the Golden Horn area of Istanbul and became a distinctive decorative style.
Halic is often seen as a symbol of prosperity, abundance and good fortune. The natural beauty and strategic location of the Golden Horn made it an important trade and commercial center during the Ottoman period.
Sea and water: Since the Golden Horn is a body of water in Istanbul, Halic motifs symbolize the sea and water. Water is regarded as a source of life and a cleansing power.
Symbol of Istanbul: Halic motifs represent the historical and cultural importance of Istanbul and emphasize the city’s connection with the sea.
Decoration and aesthetics: Halic motifs add aesthetic value to Iznik ceramics and reflect the visual appeal of the ceramics and the skill of the artisans.
Overall, Halic motifs reflect the flow of water, the beauty of the sea, the symbolic value of Istanbul and the aesthetic value of Iznik ceramics.
The Damascus style motif in Iznik ceramics is characterized by geometric patterns and stylized flowers. It is thought to have been brought to Turkey by the Ottoman Turks in the 16th century.
This style was quickly adopted by Iznik ceramic makers and became one of the popular decorative styles in Iznik ceramics. It is known for complex patterns and vivid colors and has often been used to decorate homes, offices and palaces.
The motif can represent the beauty of nature, the abundance of life and the power of the Ottoman Empire.
Beauty of nature: Damascus style designs are often filled with stylized flowers and nature-inspired forms.
Abundance of life: The vivid colors used in the motif may symbolize the richness and abundance of life.
Power of the Ottoman Empire: Since the style developed during the rise of the Ottoman Empire, it can also be interpreted as a symbol of imperial strength.
Damascus style is a beautiful and distinctive form of Iznik ceramic decoration and remains a reminder of Turkey’s rich history and culture.
